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<article xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:ali="http://www.niso.org/schemas/ali/1.0/" dtd-version="1.4" article-type="review-article" xml:lang="en"><front><journal-meta><journal-title-group><journal-title xml:lang="ru">Вестник Волгоградского государственного университета. Серия 2. Языкознание</journal-title></journal-title-group><issn publication-format="print">1998-9911</issn><issn publication-format="electronic">2409-1979</issn></journal-meta><article-meta><article-id pub-id-type="doi">10.15688/jvolsu2.2023.4.11</article-id><article-categories><subj-group><subject>Other</subject></subj-group></article-categories><title-group><article-title xml:lang="ru">Категория диалогичности в медиажанрах: обзор зарубежных исследований</article-title><trans-title-group xml:lang="en"><trans-title>Dialogue Category in Media Genres: Review of the Foreign Studies</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author"><name-alternatives><name xml:lang="ru"><surname>Иссерс</surname><given-names>Оксана Сергеевна</given-names></name><name xml:lang="en"><surname>Issers</surname><given-names>Oxana S.</given-names></name></name-alternatives><xref ref-type="aff" rid="aff1"/><contrib-id contrib-id-type="orcid">0000-0003-4027-6346</contrib-id></contrib><contrib contrib-type="author"><name-alternatives><name xml:lang="ru"><surname>Герасимова</surname><given-names>Анастасия Сергеевна</given-names></name><name xml:lang="en"><surname>Gerasimova</surname><given-names>Anastasia S.</given-names></name></name-alternatives><xref ref-type="aff" rid="aff1"/><xref ref-type="aff" rid="aff2"/><contrib-id contrib-id-type="orcid">0000-0002-0857-4151</contrib-id></contrib><aff-alternatives id="aff1"><aff xml:lang="en"><institution>Dostoevsky Omsk State University (Omsk, Russia)</institution></aff><aff xml:lang="ru"><institution>Омский государственный университет им. Ф.М. Достоевского (Омск, Россия)</institution></aff></aff-alternatives><aff-alternatives id="aff2"><aff xml:lang="en"><institution>Peter the Great St. Petersburg Polytechnic University (Saint Petersburg, Russia)</institution></aff><aff xml:lang="ru"><institution>Санкт-Петербургский политехнический университет Петра Великого (Санкт-Петербург, Россия)</institution></aff></aff-alternatives></contrib-group><pub-date pub-type="epub" iso-8601-date="2023-10-26"><day>26</day><month>10</month><year>2023</year></pub-date><volume>22</volume><issue>4</issue><fpage>148</fpage><lpage>157</lpage><history><date date-type="received" iso-8601-date="2023-01-16"><day>16</day><month>01</month><year>2023</year></date><date date-type="accepted" iso-8601-date="2023-05-04"><day>04</day><month>05</month><year>2023</year></date></history><permissions><license xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:title="CC BY 4.0"><ali:license_ref>https://creativecommons.org/licenses/by/4.0/</ali:license_ref><license-p xml:lang="ru">CC BY 4.0</license-p></license></permissions><abstract xml:lang="ru"><p>В статье представлен обзор зарубежных публикаций последнего десятилетия, посвященных диалогическим жанрам современных медиа. В фокусе внимания находятся работы, в которых выявлены особенности организации диалога в социальных сетях и на телевидении. Установлено, что к наиболее актуальным научным подходам, в рамках которых исследуется категория диалогичности в онлайн-пространстве, относятся структурно-семантический и функциональный (описание общих принципов построения диалога в социальных сетях, функций журналистов в «цифровых» изданиях), коммуникативно-прагматический (рассмотрение диалогического взаимодействия между компаниями и потребителями (маркетинговые стратегии, диалогические стратегии кооперации, стратегии нивелирования критических отзывов потребителей), аксиологический (определение оценочных и эмотивных компонентов диалога). В исследованиях диалога на ТВ отмечается актуальность его анализа в рамках коммуникативно-стратегической парадигмы с учетом жанра телевизионной передачи, имиджа ведущего, национально-культурной и гендерной принадлежности говорящих, их ролевого статуса, а также целевой аудитории. Отдельное (имитационно-прагматическое) направление исследований составляют работы о телевизионном политическом интервью и (феномене) имитации диалога в монологических жанрах. Результаты обзора подтверждают, что с развитием социальных сетей и формированием новых жанров медиа количество исследований, посвященных категории диалогичности, неуклонно растет, а сама область медиадискурса становится все более перспективной с точки зрения лингвистического анализа.</p></abstract><abstract xml:lang="en" abstract-type="summary"><p>The review gives critical evaluation of the latest decade publications by nonnative colleagues devoted to the description of dialogic genres in modern media. The works related to the analysis of the dialogue structure peculiarities in social networks and on television are converged on. The dialogue category in online space is noted to be studied within structural-semantic and functional approach (the research into general principles of building a dialogue in social networks, and the functions of journalists in “digital” newspapers); communicative- and-pragmatic approach (the description of dialogic interaction between companies and consumers, including marketing strategies, dialogic cooperation strategies, strategies for neutralizing critical consumers’ reviews), and axiological approach (manifestation of the evaluative and emotional components of dialogic communication). The analysis of the dialogue on TV is highly relevant within the framework of the communicative-strategic paradigm with reference to the genre of the television program, the image of the presenter, the national, cultural and gender identity of the speakers, their role status, as well as the target audience. In addition, a specific area of research is formed by works dedicated to the analysis of the features of a television political interview and the phenomenon of dialogue imitation in monologue genres. The results of the research prove that the development of both social networks and new media genres provide the growth of works devoted to the dialogue category description, thus, media discourse is becoming more and more attractive in terms of linguistic analysis.</p></abstract><kwd-group xml:lang="ru"><kwd>диалог</kwd><kwd>категория диалогичности</kwd><kwd>медиадискурс</kwd><kwd>медиалингвистика</kwd><kwd>диалогическая коммуникация</kwd><kwd>коммуникативная стратегия</kwd><kwd>телевизионный жанр</kwd><kwd>медиажанр</kwd></kwd-group><kwd-group xml:lang="en"><kwd>dialogue</kwd><kwd>dialogic category</kwd><kwd>media discourse</kwd><kwd>media linguistics</kwd><kwd>dialogic communication</kwd><kwd>communicative strategy</kwd><kwd>TV genre</kwd><kwd>media genre</kwd></kwd-group><funding-group><funding-statement xml:lang="ru">Исследование выполнено при финансовой поддержке РНФ, проект № 22-28-01963 «Диалогическая коммуникация в новых медийных практиках: социокультурная, прагмастилистическая и коммуникативная специфика».</funding-statement><funding-statement xml:lang="en">The reported study was funded by RSF, Project no. 22-28-01963 “Dialogic Communication in New Media: Sociocultural, Pragmastylistic and Communicative Features”.</funding-statement></funding-group></article-meta></front><back><ref-list><ref id="ref1"><mixed-citation publication-type="other" xml:lang="ru">Баделина М. 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